A stupendous show at the Whitney Museum explores the profound impact of Mexican painters — the meeting and mingling that enriched American culture. From floated proposal to finished product, “Vida Americana: Mexican Muralists Remake American Art, 1925-1945” at the Whitney Museum of American Art represents a decade of hard thought and labor, and the effort has paid off. The show is stupendous, and complicated, and lands right on time. Just by existing it accomplishes three vital things. It reshapes a stretch of art history to give credit where credit is due. It suggests that the Whitney is, at last, en route to fully embracing “American Art.”
Thousands of people around the world have rallied in solidarity with anti-racism protests in the United States following the police killing of George Floyd on May 25, 2020. Floyd, an unarmed Black man, was pinned to the ground by a white officer in Minneapolis, Minnesota. The officer, who has since been fired and charged for murder, knelt on Floyd's neck for nearly nine minutes, as Floyd pleaded "I can't breathe". Protests, which began in Minneapolis, have spread to hundreds of cities across the US. National Guard troops have been deployed in at least 23 states to handle the demonstrations. Outside the US, large protests have also erupted in many cities around the world.
Dr. Martin Luther King Jr (January 15, 1929 – April 4, 1968) was an American clergyman, activist, and prominent leader in the African-American Civil Rights Movement. He is best known for being an iconic figure in the advancement of civil rights in the United States and around the world, using nonviolent methods following the teachings of Mahatma Gandhi. King is often presented as a heroic leader in the history of modern American liberalism. "I Have a Dream" is a 17-minute public speech by Martin Luther King, Jr. delivered on August 28, 1963, in which he called for racial equality and an end to discrimination.
Life-size sculptures submerged underwater—accessible primarily to divers and snorkelers—are part tourist attraction, part ecological experiment in Jason deCaires Taylor's innovative art installations. "Instead of seeing the world as a hidden, endless resource that we can treat how we want, I tried to change our relationship to it and turn it into a more intimate space," says deCaires Taylor, a British environmentalist and sculptor.
