Death can be a morbid and solemn subject in many cultures, but in Mexico, it's a cause for celebration -- at least for two nights a year. From November 1-2, people throughout the country deck their homes, streets and relatives' graves with flowers, candles, confetti and colorful skulls for the Day of the Dead. The traditional festival honoring the deceased centers around the belief that the living and the dead can commune during the brief period. With faces painted as skulls and bodies made up like skeletons, throngs of performers marched through the streets of Mexico City in a Day of the Dead parade. Thousands of onlookers cheered and applauded as a giant raised fist constructed out of hard hats and pickaxes led the procession, signifying the defiant spirit of a country hit with one of its worst calamities in decades.
West Side Story is "an American masterpiece," says Ivo van Hove, director of the latest Broadway revival, which opened February 20, 2020 on Broadway. Van Hove hopes his vision will show the musical in "all its cruelty and devastation, but also all the beauty and all the hope." The Tony-award winning Belgian director of The Crucible (2016) and A View from the Bridge (2015) has scaled back from the original production, keeping the stage bare and the story "raw." He focuses on the cultural differences between the characters and the violent world they live in.
Volunteers are helping forgotten Dutch diarists of WWII to speak at last. Their voices, filled with anxiety, isolation and uncertainty, resonate powerfully today. Anne Frank listened in an Amsterdam attic on March 28, 1944, as the voice of the Dutch minister of education came crackling over the radio from London. “Preserve your diaries and letters,” he said. Frank was not the only one listening. Thousands of Dutch people had been recording their experiences under German occupation since the Nazi invasion four years earlier. So the words of the minister, part of a government trying to operate from exile in England, resonated.
The 'Dance of the 41' changed the way that Mexico interpreted gender and sexuality forever. The number 13 is commonly considered unlucky, but in Mexico, the number 41 has been seen as taboo and avoided—at one point the Army left the number out of battalions, hotel and hospital rooms didn’t use it and some even skipped their 41st birthday altogether. The reason has to do with a party held in a secret location in Mexico on November 17, 1901. On that night 41—possibly 42—men gathered under the cover of night to dance together. Though some may not consider this scandalous by today’s standards, fallout from “The Dance of the 41,” as it was called by the press, was controversial enough to change the landscape of sexuality in Mexico.
