George Edward Hurrell (June 1, 1904 – May 17, 1992) was a photographer who contributed to the image of glamour presented by Hollywood during the 1930s and 1940s.Hurrell originally studied as a painter with no particular interest in photography. He first began to use photography only as a medium for recording his paintings. After moving to Laguna Beach, California from Chicago, Illinois in 1925 he met many other painters who had connections. One of those connections was Edward Steichen who encouraged him to pursue photography after seeing some of his works. Hurrell also found that photography was a more reliable source of income than painting. Hurrell was an apprentice to Eugene Hutchinson. His photography was encouraged by his friend aviator Pancho Barnes, who often posed for him. He eventually opened a photographic studio in Los Angeles.
Life-size sculptures submerged underwater—accessible primarily to divers and snorkelers—are part tourist attraction, part ecological experiment in Jason deCaires Taylor's innovative art installations. "Instead of seeing the world as a hidden, endless resource that we can treat how we want, I tried to change our relationship to it and turn it into a more intimate space," says deCaires Taylor, a British environmentalist and sculptor.
Prisoners in Nazi concentration camps made music; now it's being discovered and performed. More than 6 million people, most of them Jews, died in the Holocaust. The music they wrote as a temporary escape, however, did not die with them, thanks in part to the efforts of Francesco Lotoro. An Italian composer and pianist, Lotoro has spent 30 years recovering, performing, and in some cases, finishing pieces of work composed in captivity. Nearly 75 years after the camps were liberated, Francesco Lotoro is on a remarkable rescue mission, reviving music such as the one created by a young Jewish woman in a Nazi concentration camp in 1944.
The name of Fredy Hirsch is inseparably connected with the education of children and young people in the Terezín ghetto, and finally in the "family camp“ at Birkenau. In particular, the "children's block,“ established on Hirsch's initiative in the BIIb section of the Birkenau camp, was a remarkable attempt to create a small oasis within the death camp. Its main purpose was to ensure that Auschwitz's youngest prisoners had, at least for a short while, a more tolerable environment in which they would be isolated from the tragic reality around them.