Peter Max (born Peter Max Finkelstein, October 19, 1937) is a German-American artist known for using bright colours in his work. Works by Max are associated with the visual arts and culture of the 1960s, particularly psychedelic art and pop art. Max, the son of German Jews, fled Berlin in 1938, settling in Shanghai, China, where they lived for the next ten years. In 1948, the family moved to Haifa, Israel where they lived for several years. From Israel, the family continued moving westward and stopped in Paris for several months—an experience that Max said greatly influenced his appreciation for art—eventually settling in Brooklyn, N.Y.C.
Scientists at a federal nuclear weapons facility have made a potentially significant advance in fusion research that could lead to a source of bountiful energy in the future, according to a government official. The advance is expected to be announced Tuesday by the Department of Energy, which said a “major scientific breakthrough” was made at Lawrence Livermore National Laboratory in California. Jennifer Granholm, the energy secretary, and White House and other Energy Department officials are expected to be in attendance. The Financial Times reported on Sunday that the scientific advance involves the National Ignition Facility, or NIF, which uses giant lasers to create conditions that briefly mimic the explosions of nuclear weapons.
Is there a cure for disinformation, propaganda, and other offenses against the truth? Twitter’s answer has been to add fact-checks to misleading statements, a move that has led to a showdown with Donald Trump. While this fight has been framed as an issue of free speech, ancient Greek philosophers, who worried deeply about what “fake news” meant for their own societies, would say it’s much more profound and more urgent than that. As technologically advanced as the fight between Twitter and Trump now seems, this dilemma is not new at all.
As an artist, Joaquin Clausell (June 16, 1866 - November 28, 1935) had two periods of production, the first between roughly 1903 and 1910 and the second from 1920 until his death in 1935. He abandoned painting during the Mexican Revolution, mostly likely to concentrate on his law practice. However, his production was most intense in the latter period, becoming something of a vice, with all of his spare money going to supplies and even painting on wood and cardboard when he did not have canvas. In addition, he occasionally disappeared to Mexico’s coasts, especially the area between Mazatlán and Acapulco to return with sketches as the basis of new paintings.
