Céline Dion & Dimash Kudaibergen. Two outstanding voices are mixed virtually to create a duet and sing together All By Myself.

Dimash Kudaiberganov sings Michel Berger and Luc Plamondon's S.O.S d'un terrien en détresse in a style that will leave you gasping for air. It is simply breathtaking! It was performed for the first time by Daniel Balavoine. A beautiful performance was also sung by Norman Groulx. This beautiful song

Music: Piergiuseppe Zaia Lyrics: Antonella Maggio Special effects made by Artuniverse S.r.l. - cinematographic productions - with special thanks to Linda Antonietti, Marco Castellani, Eleonora Fani, Andrea Torreano, Piergiuseppe Zaia. The soundtrack to Creators: The Past is available via Sony Musi...

After ferrying over to the beach community of Fire Island last summer, we attended the inaugural Fire Island Opera Festival.

The members of the Opera National de Paris presnts a lockdown ballet to thank first responders during teh coronavirus pandemic in France.

Described as “absolutely impressive, arguably one of the most powerful and beautiful baritone voices you could hear” (TheSideBalcony), Lucia Lucas has performed in opera houses all over the world. She makes her mainstage U.S. and Tulsa Opera debut in the title role of Don Giovanni.

On March 14, 2022, the Met presented a benefit concert to support Ukraine and its citizens, with Yannick Nézet-Séguin conducting the Met Orchestra and Chorus and distinguished soloists, including Ukrainian bass-baritone Vladyslav Buialskyi, who led a performance of the Ukrainian national anthem, and

All voices and lyrics by Daniel Emmet. Goodbye Corona - an opera for hope in 2021 to return back to normality.

ShakeUp Music recomposed the Magic Flute "Papageno/Papagena" Duet into a colorful Mozart bird aria. Listen to an audiovisual Twitterstorm performed by our feathered fellows. Keep the birds on singing by sharing this video!

He looks like an angel and can sing like one too. Countertenor Jakub Józef Orliński enchants audiences with his high and simultaneously sonorous voice. But Orliński does not only excel on the opera stage. To counterbalance his opera work, he breakdances at a level that is also worth watching. In Or