Full List of the 2019 Tony Award Winners

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The Tony Awards sank deep into underworld Sunday as “Hadestown” took home a leading eight statues and made Broadway history as first production written and directed by women to win best musical. “The Ferryman” picked up four awards including best play, but it was Anais Mitchell’s folk-operatic reimagining of the Orpheus and Eurydice myth that led the night. Mitchell took home the Tony for score, while Rachel Chavkin, the lone woman in her category, won for direction of a musical. Ali Stroker made history as the first performer in a wheelchair to win a Tony, taking home honors for featured actress in the reimagining of Rodgers & Hammerstein’s “Oklahoma!” The production also took the prize for musical revival.  The cast of “The Prom” drove home the show’s themes of acceptance and inclusion with a same-sex kiss.

 

Tony Awards Rainbow 2  

 LINK: VIDEO HIGHLIGHTS OF THE 2019 TONY AWARDS

 

 

Here is the Full List of Winners and Nominees for 2019:

 

Awards Tony 2019

 

          aint too proud the temptations musical publicity h 2018   beetlejuice broadway 1   Hadestown   The Prom Broadway   Tootsie The Comedy Shaving Woman

Best Musical

  • “Ain’t Too Proud: The Life and Times of the Temptations”
  • “Beetlejuice”
  • “Hadestown”
  • “The Prom”
  • “Tootsie”

 

Best Play

  • “Choir Boy”
  • “The Ferryman”
  • “Gary: A Sequel to Titus Andronicus”
  • “Ink”
  • “What the Constitution Means to Me”

 

Best Revival of a Musical

  • “Kiss Me, Kate”
  • “Oklahoma!”

 

Best Revival of a Play

  • “All My Sons”
  • “The Boys in the Band”
  • “Burn This”
  • “Torch Song”
  • “The Waverly Gallery”

 

Best Book of a Musical

  • “Ain’t Too Proud: The Life and Times of the Temptations”: Dominique Morisseau
  • “Beetlejuice”: Scott Brown and Anthony King
  • “Hadestown”: Anaïs Mitchell
  • “The Prom”: Bob Martin and Chad Beguelin
  • The Age of the Internet ‘Wife Guy’
  • Preparing My Family for Life Without Me
  • The Revered Crocodiles of This Island Nation Have Suddenly Started Killing People
    “Tootsie”: Robert Horn

 

Best Original Score

  • “Beetlejuice,” music and lyrics: Eddie Perfect
  • “Be More Chill,” music and lyrics: Joe Iconis
  • “Hadestown,” music and lyrics: Anaïs Mitchell
  • “The Prom,” music by Matthew Sklar; lyrics by Chad Beguelin
  • “Tootsie,” music and lyrics: David Yazbek
  • “To Kill a Mockingbird,” music by Adam Guettel

 

Best Direction of a Play

  • Rupert Goold, “Ink”
  • Sam Mendes, “The Ferryman”
  • Bartlett Sher, “To Kill a Mockingbird”
  • Ivo van Hove, “Network”
  • George C. Wolfe, “Gary: A Sequel to Titus Andronicus”

 

Best Direction of a Musical

  • Rachel Chavkin, “Hadestown”
  • Scott Ellis, “Tootsie”
  • Daniel Fish, “Oklahoma!”
  • Des McAnuff, “Ain’t Too Proud: The Life and Times of the Temptations”
  • Casey Nicholaw, “The Prom”

 

Best Leading Actor in a Play

  • Bryan Cranston, “Network”
  • Paddy Considine, “The Ferryman”
  • Jeff Daniels, “To Kill a Mockingbird”
  • Adam Driver, “Burn This”
  • Jeremy Pope, “Choir Boy”

 

Best Leading Actress in a Play

  • Annette Bening, “All My Sons”
  • Laura Donnelly, “The Ferryman”
  • Elaine May, “The Waverly Gallery”
  • Janet McTeer, “Bernhardt/Hamlet”
  • Laurie Metcalf, “Hillary and Clinton”
  • Heidi Schreck, “What the Constitution Means to Me”

 

Best Leading Actor in a Musical

  • Brooks Ashmanskas, “The Prom”
  • Derrick Baskin, “Ain’t Too Proud: The Life and Times of the Temptations”
  • Alex Brightman, “Beetlejuice”
  • Damon Daunno, “Oklahoma!”
  • Santino Fontana, “Tootsie”

 

Best Leading Actress in a Musical

  • Stephanie J. Block, “The Cher Show”
  • Caitlin Kinnunen, “The Prom”
  • Beth Leavel, “The Prom”
  • Eva Noblezada, “Hadestown”
  • Kelli O’Hara, “Kiss Me, Kate”

 

Best Featured Actor in a Play

  • Bertie Carvel, “Ink”
  • Robin de Jesús, “The Boys in the Band”
    Gideon Glick, “To Kill a Mockingbird”
  • Brandon Uranowitz, “Burn This”
  • Benjamin Walker, “All My Sons”

 

Best Featured Actress in a Play

  • Fionnula Flanagan, “The Ferryman”
  • Celia Keenan-Bolger, “To Kill a Mockingbird”
  • Kristine Nielsen, “Gary: A Sequel to Titus Andronicus”
  • Julie White, “Gary: A Sequel to Titus Andronicus”
  • Ruth Wilson, “King Lear”

 

Best Featured Actor in a Musical

  • André De Shields, “Hadestown”
  • Andy Grotelueschen, “Tootsie”
  • Patrick Page, “Hadestown”
  • Jeremy Pope, “Ain’t Too Proud: The Life and Times of the Temptations”
  • Ephraim Sykes, “Ain’t Too Proud: The Life and Times of the Temptations”

 

Best Featured Actress in a Musical

  • Lilli Cooper, “Tootsie”
  • Amber Gray, “Hadestown”
  • Sarah Stiles, “Tootsie”
  • Ali Stroker, “Oklahoma!”
  • Mary Testa, “Oklahoma!”

 

Best Scenic Design of a Play

  • Miriam Buether, “To Kill a Mockingbird”
  • Bunny Christie, “Ink”
  • Rob Howell, “The Ferryman”
    Santo Loquasto, “Gary: A Sequel to Titus Andronicus”
  • Jan Versweyveld, “Network”

 

Best Scenic Design of a Musical

  • Robert Brill and Peter Nigrini, “Ain’t Too Proud: The Life and Times of the Temptations”
  • Peter England, “King Kong”
  • Rachel Hauck, “Hadestown”
  • Laura Jellinek, “Oklahoma!”
  • David Korins, “Beetlejuice”

 

Best Costume Design of a Play

  • Rob Howell, “The Ferryman”
  • Toni-Leslie James, “Bernhardt/Hamlet”
  • Clint Ramos, “Torch Song”
  • Ann Roth, “To Kill a Mockingbird”
  • Ann Roth, “Gary: A Sequel to Titus Andronicus”

 

Best Costume Design of a Musical

  • Michael Krass, “Hadestown”
  • William Ivey Long, “Tootsie”
  • William Ivey Long, “Beetlejuice”
  • Bob Mackie, “The Cher Show”
  • Paul Tazewell, “Ain’t Too Proud: The Life and Times of the Temptations”

 

Best Lighting Design of a Play

  • Neil Austin, “Ink”
  • Jules Fisher and Peggy Eisenhauer, “Gary: A Sequel to Titus Andronicus”
    Peter Mumford, “The Ferryman”
  • Jennifer Tipton, “To Kill a Mockingbird”
  • Jan Versweyveld and Tal Yarden, “Network”

 

Best Lighting Design of a Musical

  • Kevin Adams, “The Cher Show”
  • Howell Binkley, “Ain’t Too Proud: The Life and Times of the Temptations”
  • Bradley King, “Hadestown”
  • Peter Mumford, “King Kong”
  • Kenneth Posner and Peter Nigrini, “Beetlejuice”

 

Best Sound Design in a Play

  • Adam Cork, “Ink”
  • Scott Lehrer, “To Kill a Mockingbird”
  • Fitz Patton, “Choir Boy”
  • Nick Powell, “The Ferryman”
  • Eric Sleichim, “Network”

 

Best Sound Design in a Musical

  • Peter Hylenski, “King Kong”
  • Peter Hylenski, “Beetlejuice”
  • Steve Canyon Kennedy, “Ain’t Too Proud: The Life and Times of the Temptations”
  • Drew Levy, “Oklahoma!”
  • Nevin Steinberg and Jessica Paz, “Hadestown”

 

Best Choreography

  • Camille A. Brown, “Choir Boy”
  • Warren Carlyle, “Kiss Me, Kate”
    Denis Jones, “Tootsie”
  • David Neumann, “Hadestown”
  • Sergio Trujillo, “Ain’t Too Proud: The Life and Times of the Temptations”

 

Best Orchestrations

  • Michael Chorney and Todd Sickafoose, “Hadestown”
  • Simon Hale, “Tootsie”
  • Larry Hochman, “Kiss Me, Kate”
  • Daniel Kluger, “Oklahoma!”
  • Harold Wheeler, “Ain’t Too Proud: The Life and Times of the Temptations”

 

Special Tony Award for Lifetime Achievement in the Theater

  • Rosemary Harris
  • Terrence McNally
  • Harold Wheeler
  • Isabelle Stevenson Award
  • Judith Light

 

Regional Theater Tony Award

  • TheatreWorks Silicon Valley
  • Special Tony Award
  • Marin Mazzie
  • Sonny Tilders and Creature Technology Company
  • Jason Michael Webb

 

Tony Honors for Excellence in the Theater

  • Broadway Inspirational Voices — Michael McElroy, Founder
  • Peter Entin
  • FDNY Engine 54, Ladder 4, Battalion 9

 

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