The Australian House of Representatives celebrates in the chamber on Thursday, December 7, 2017 after passing a long-awaited bill to legalise same-sex marriage. The prime minister, Malcolm Turnbull, tells the gathered MPs that it’s a day 'for love, for equality, for respect' as those in the public gallery burst into song: WE ARE AUSTRALIANS
Aguilar, whose career retrospective, “Laura Aguilar: Show and Tell,” is on display now at the Vincent Price Art Museum, in Los Angeles, was born in California in 1959, the child of a Mexican-American father and a Mexican-Irish mother. She suffered from auditory dyslexia, which made speaking difficult, and photography became a vital outlet of her self-expression. As a woman of color, and also a lesbian, Aguilar belongs to, as she puts it, a “hidden subculture” within another subculture, a marginalized community within another marginalized community. Her work is an exploration of this precarious double identity, with her own unconventional body often serving as subject and symbol.
Ingo and Napoleon are an incredibly unlikely pair of friends. One comes from a family deeply involved in law enforcement, the other was the smallest and weakest of 7. One could be called “ruthless,” the other wouldn’t (and probably couldn’t) hurt a fly. Ingo is a Malinois — a type of Belgian shepherd typically used by police — and Napoleon is a 1-year-old Owlet.
For those individuals among us who possess a talent for art, opportunities to create something beautiful can be found all around us. Everywhere you look, there are empty walls that are just crying out to become something more beautiful, if only someone would take the time. Thankfully, there are plenty of incredibly talented street artists out there who are doing just that, turning drab public spaces into explosions of color and creativity.